慕尼黑1945

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  • Documentary footage shot in Munich by Cronauer and…Documentary footage shot in Munich by Cronauer and his team just a few weeks after it was taken by the American troops on April 30, 1945. We see the enormous damage of the bombings which destroyed about 90% of the center of the city.On the 30th of April, 1945, American troops marched into Munich. One week later, on the 8th of May, came the unconditional surrender of the German Reich under Admiral Dönitz. Munich was one of the cities that had suffered the greatest devastation. 90% of the inner city lay in ruins, it had lost 22,346 soldiers in battle, 6,632 people to bombings, and the injured and homeless came to, respectively, 15,000 and 30,000. Though most movie houses had been either destroyed or damaged, screenings had still taken place in 15 Munich cinemas at the end of April. Likewise intact was the premises of Bavaria-Film at Geiselgasteig, where work had still proceeded into spring 1945 on productions such as Erich Engel's Emil Jannings comedy WO IST HER BELLING?, the Theo Lingen films PHILINE and LIEBESHEIRAT and Robert A. Stemmle's GELD INS HAUS, with Hans Moser all films that had not been completed by the end of the war.On the 10th of May the Bavaria-Film studios (Geiselgasteig) were put under the control of the 6870th District Information Services Control Command of the Information Control Division (ICD). Although Information Control regulation No. 1, that came into force on the 12th of May, allowed for exceptions to the ban on German film activity, subject to registration and licensing, at first no German productions were permitted. The only exception seems to have been Willi Cronauer, who in June 1945 was already able to shoot footage in the ruined city for his privately financed documentary film project MÜNCHEN 1945. Filming begins on the 3rd of June, 1945, when, for the first time in years, a Corpus Christi procession goes through Munich. Cronauer never finishes editing his material, only occasionally showing a rough cut, "without music or words or stars," as the Süddeutsche Zeitung put it. Bavaria-Film in Geiselgasteig is forbidden production activity. Trustees are put in charge and only technical services may be offered. On the 25th of July, a few Munich cinemas that have not been destroyed are reopened though only for the entertainment of U.S. soldiers. Not until the 1st of August does a cinema for civilians open in Munich. Subtitled American films, all emanating from the Allgemeinen Filmverleih (AFI), set up on the Bavaria grounds and subservient to the ICD, monopolise the schedules. The WELT IM FILM newsreel, produced since May in London, precedes the features. When production of the newsreel is transferred from London to Geiselgasteig in August, 1945, there is a significant increase in items about Munich and its surroundings.

影片相关问答

1.《慕尼黑1945》讲述的是什么故事?

百度影音 网友:该部电视剧讲述了Documentary footage shot in Munich by Cronauer and his team just a few weeks after it was taken by the American troops on April 30, 1945. We see the enormous damage of the bombings which destroyed about 90% of the center of the city.On the 30th of April, 1945, American troops marched into Munich. One week later, on the 8th of May, came the unconditional surrender of the German Reich under Admiral Dönitz. Munich was one of the cities that had suffered the greatest devastation. 90% of the inner city lay in ruins, it had lost 22,346 soldiers in battle, 6,632 people to bombings, and the injured and homeless came to, respectively, 15,000 and 30,000. Though most movie houses had been either destroyed or damaged, screenings had still taken place in 15 Munich cinemas at the end of April. Likewise intact was the premises of Bavaria-Film at Geiselgasteig, where work had still proceeded into spring 1945 on productions such as Erich Engel's Emil Jannings comedy WO IST HER BELLING?, the Theo Lingen films PHILINE and LIEBESHEIRAT and Robert A. Stemmle's GELD INS HAUS, with Hans Moser all films that had not been completed by the end of the war.On the 10th of May the Bavaria-Film studios (Geiselgasteig) were put under the control of the 6870th District Information Services Control Command of the Information Control Division (ICD). Although Information Control regulation No. 1, that came into force on the 12th of May, allowed for exceptions to the ban on German film activity, subject to registration and licensing, at first no German productions were permitted. The only exception seems to have been Willi Cronauer, who in June 1945 was already able to shoot footage in the ruined city for his privately financed documentary film project MÜNCHEN 1945. Filming begins on the 3rd of June, 1945, when, for the first time in years, a Corpus Christi procession goes through Munich. Cronauer never finishes editing his material, only occasionally showing a rough cut, "without music or words or stars," as the Süddeutsche Zeitung put it. Bavaria-Film in Geiselgasteig is forbidden production activity. Trustees are put in charge and only technical services may be offered. On the 25th of July, a few Munich cinemas that have not been destroyed are reopened though only for the entertainment of U.S. soldiers. Not until the 1st of August does a cinema for civilians open in Munich. Subtitled American films, all emanating from the Allgemeinen Filmverleih (AFI), set up on the Bavaria grounds and subservient to the ICD, monopolise the schedules. The WELT IM FILM newsreel, produced since May in London, precedes the features. When production of the newsreel is transferred from London to Geiselgasteig in August, 1945, there is a significant increase in items about Munich and its surroundings.

2.《慕尼黑1945》的主演有谁?

西瓜影音 网友:

3.《慕尼黑1945》上映时间?

光棍影院 网友:上映播出时间1945!

4.《慕尼黑1945》有多少集?

百度云资源 网友: 每集 45分钟

5.手机哪里可以看《慕尼黑1945》?

万能影视 网友: 神马影视手机版 手机电影网80s 16影视手机版

6.手机看《慕尼黑1945》需要会员吗?

青苹果影院 网友:请直接在 腾讯视频 华安影院 爱奇艺 优酷视频 搜索栏输入影片名称,点击搜索后将会出现与《慕尼黑1945》相关的所有信息,您也可以知道是否需要开通会员了。

7.如何评价《慕尼黑1945》这部纪录片?

豆瓣电影 丨Ms.Kay评论:《慕尼黑1945》居然是35mm胶片拍摄,喜欢。个人感觉比数码高清电视画面质感还要好。

新浪娱乐点评 丨网友评价:我一直认为所谓的影片是绘声绘色的书比小说更高基于虚拟与幻想回头一想却都是现实的虚幻影子。

大众点评 丨春夏秋冬评论:一直是热爱看纪录片写影评的人,却在大学以后久久不再提笔。可能是因为工作的忙碌,家庭的牵绊,还有世俗了的心。但是这都不影响我和我的另一半每周都会选择一部好片欣赏的好习惯。

丢豆网 丨网友评论:Willi,Cronauer导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。

mtime时光网 丨一梦春秋评论:《慕尼黑1945》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!

猫眼电影 丨网友评论:今天又把慕尼黑1945这个纪录片看了一遍,感慨良多。

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